At 亚色影库, we are extremely proud of our Lecture Series, which brings world-renowned guest lecturers to campus as part of our mission to enhance global design education opportunities for both our students and the local community and design industry. Last month, we were fortunate to have Billie Tsien, an internationally acclaimed architect who, with her husband, Tod Williams, was recently selected to design the Obama Presidential Center in Chicago.
I have known Billie for a long time, which has allowed me to see her work since the early days of her career. Consistent throughout is her deliberate and careful approach toward the process of architecture. There is a strong tendency in her process to listen and observe deeply before coming up with a design concept. That notion of deep understanding pervades their work.
Many times people will get a commission like the Obama library and within weeks you see them promoting some grand project. That work is often superficial and self-congratulatory. Billie檚 work has a thoughtful, deep understanding of a place. It has an amazing tactile quality because it is about craft, material, texture, tone, and color. The real architecture of Billie and Tod檚 buildings is how you touch it and how you interact with it. It has an intense humanity. Billie mentioned to me that Michelle Obama very much had it in mind that the library must enhance the life of everyone who comes to the park, not just those who visit the building.
I asked a few of our faculty for their reflections on Billie Tsien檚 lecture:
Tatiana Berger, Associate Professor, Graduate Architecture, and Chair of the 亚色影库 Lecture Series Committee:
淎s both an educator and leader in design, Billie displays a deep commitment to making the world a better place through architecture. She has a poetic approach to architecture, and her voice and influence is one we deeply value in educating our students.
Elena Pacenti, Ph.D., Chair, School of Design:
淏illie Tsien walked the audience through a sophisticated journey about beauty and design: that territory where beauty is not just something aesthetically pleasing but comes from the meaning that people recognize behind every design choice. Her words perfectly complemented the visual power and poetry of the images of their work. I檓 really glad that Billie檚 lecture opened the academic year: 淚nside Out潝where all dimensions and scales of design seamlessly blend攚as the perfect keynote to celebrate the rounded, interconnected, human-centered design culture we promote at 亚色影库 through the dialogue between the School of Architecture and the School of Design.
Kurt Hunker, FAIA擥raduate Architecture Program Chair:
淲hat was eloquently on display in Billie檚 words and images is an approach to architecture and design that counters the superficial contemporary fixation on 榮tarchitects and icon-makers in favor of a much more meaningful, nuanced response to program, client and context our students would do well to emulate.
Leonard Zegarski, AIA擴ndergraduate Architecture Program Chair:
淥nly one word is needed: Inspirational! Her work lifts architecture out of the mundane and everyday that surrounds us. The work she produces meets any definition of architecture as proposed by either Louis Kahn or Le Corbusier. It 榯ouches the heart after Cobu and 榠t is the thoughtful making of space after Kahn.
Michael Stepner, FAIA, FAICP:
淔or me the important messages were that words matter. Architects and designers must be able to convey their thoughts and ideas to others攁nd enter in to a dialog. And that we must as architects and designers be able to make connections to the broader context攏ot just architecture.
What did you think of Billie Tsien檚 lecture? Who would you like to see speak at 亚色影库?